“Une musique de l’errance aux textures flottantes et registres clairs...”
— RESMUSICA
Kirsten Milenko (b. 1993) is an Australian composer, conductor and orchestrator based in Paris. Her compositions embody an immersive and beautifully strange nature in acoustic and electronic settings. As a conductor, her work began as an extension of composition and has since evolved across a diverse repertoire for concert and stage.
In 2019, Milenko was awarded the Roche Young Commission by Artistic Director of Lucerne Festival, Wolfgang Rihm. In 2020, her debut opera and dance-theatre piece Dalloway premiered at Pulsar Festival in Copenhagen. She was a participant of the 2020-21 Words and Music Workshop with the Opéra Orchestre National de Montpellier, led by Ted Huffman and Sivan Eldar, and attended the Académie du Festival d’Aix with Andrea Breth in 2021. She will soon debut her album with Sylvie Woods at the Théâtre du Temps in Paris.
Milenko studied composition at the Royal Danish Academy of Music with Simon Løffler and Niels Rosing-Schow, the Sydney Conservatorium of Music with Liza Lim and Natasha Anderson, where she received the 2016 Ignaz Friedman Memorial Prize for excellence in composition, and the Cursus Program on Composition and Computer Music at IRCAM with Pierre Jodlowski. She studied conducting at the Royal Academy of Music with Sian Edwards on the Sorrell Women Conductors Program, at the Conservatorio della Svizzera italiana to specialise in 20th C repertoire with Arturo Tamayo, and is currently studying orchestral conducting at the École normale de musique de Paris with Julien Masmondet.
Her compositions have received premieres by ensembles and orchestras such as: Lucerne Festival Contemporary Orchestra, Ensemble MusikFabrik, Athelas Sinfonietta Copenhagen, Danish National Vocal Ensemble, Ensemble Offspring, CSO Chamber Ensemble, Ensemblage, Bang On A Can, Gildas Quartet, Esbjerg Ensemble, Scandinavian Guitar Duo, Adelaide Wind Orchestra. She has premiered her work as a pianist/conductor at: Staatsoper Hamburg Opera Stabile, City Recital Hall Angel Place, Associació Cultural Sa Taronja, and Verbrugghen Hall. In July 2022, she conducted the Lucerne Festival Orchestra at Zürich’s Town Hall to celebrate the first gay marriages in Switzerland.
Her work as an orchestrator includes projects such as a series of orchestral remixes of electronic pieces by SØS Gunver Ryberg for the Aarhus Symphony Orchestra at SPOT Festival 2022, and Wagner’s Tannhäuser Overture for Mizmorim Festival 2023.
Milenko is an Associate Artist with the Australian Music Centre.
Biography
Tertiary Studies
MMus Orchestral Conducting: École normale de musique de Paris (class of 2026) with Julien Masmondet
Cursus de composition et d'informatique musicale: IRCAM with Pierre Jodlowski
CAS Contemporary Repertoire Conducting: Conservatorio della Svizzera italiana with Arturo Tamayo
MMus Composition: The Royal Danish Academy of Music with Simon Løffler, Niels Rosing-Schow, Jeppe Just Christensen
BMus Composition: Sydney Conservatorium of Music with Liza Lim, Ursula Caporali, Natasha Andersen, Rosalind Page
Sound images that observe a gentleness and curiosity of the human spirit form a red thread throughout my work, where time is approached as an immersive and gradual over-saturation of the senses. There is something about music that is all-consuming in a beautiful way, in how we interact with the form by sharing a collective space and time. This experience requires an immense amount of trust from all those involved from the process of creating to listening.
Academies & Masterclasses
Sorrell Conductors Programme with Sian Edwards; Royal Academy of Music (UK 2022)
Opera Creation Workshop; Académie du Festival d’Aix with Andrea Breth (France 2021)
Soloist Academy Conducting Course with Kazuki Yamada (Switzerland 2021)
The Juilliard School Evening Division Conducting Intensive with Mark Shapiro (U.S. 2020)
Académie Voix Nouvelles with Ensemble MusikFabrik, Eva Reiter, Francesco Filidei and Dmitri Kourliandski (France 2020)
Dartington International Summer School & Festival; Advanced Composition with Sir Harrison Birtwistle (UK 2019)
International Masterclass for Orchestral Conductors; Professor Johannes Wildner and the Berlin Sinfonietta (Germany 2019)
Hatched Academy with Ensemble Offspring, Catherine Milliken, Amanda Cole and Matthew Shlomowitz (Australia 2018)
Dartington International Summer School, the John Amis Award; with the Dead Rat Orchestra and Neil Brand (UK 2018)
NORD+MIX Workshop; Lithuanian Academy of Music and Theatre (Lithuania 2018)
The Royal Philharmonic Society Conductor’s Workshop with Jessica Cottis (UK 2017)
Conductor’s workshop with Mark Shiell and Melbourne Youth Orchestras (Australia 2017)
Synthetis International Summer School for Composition; with Mark Andre, Johannes Kreidler, Zygmunt Krauze, Martin Bresnick (Poland 2016)